Mar 312010
 

Should be interesting.  I’ll be dropping off 10 prints for a landmark building that’s being refurbished; and if the architects like them there could be some more work from that project.

But I’ll also have a chance to do some shooting in and around the building and I’ve been thinking of trying something that probably hasn’t been done too often — combining infrared shots and HDR.  One of those things where I can’t really picture what the results would look like; and I doubt that it’s something that’s been done very often.

Anyway – to do the HDR I should really bring my tripod… oh well… no way around that.

Mar 312010
 

Yes, I have been trying to categorize the different types of photography that are popular and not so popular.

Most common groups:

PROOF PHOTOGRAPHS
Lots of images of people standing and smiling in front of monuments.  Pictures of your family vacation.  A kinder term might be mementos.  But they are a form of documenting that ‘you were there.’  Or that you took the ride at xyz amusement park.  Or even that you and your sweetheart made love in the barn.  t. Maybe it’s what they used to call a Kodak moment.  Maybe it’s just something that brings you back to that time.

For the most part these images are only evocative to the people in the picture or the person that took the picture.  However, every once in a while, if these proof photographs are also connected with an historic event, they become universal.  Examples might be soldiers posing for each other just about anywhere during wartime.

And on top of that, even these simple pictures of the family will, with time, become more interesting.  If you go back to look at were are now fairly inane images of the kids and pet that were taken two hundred years ago – voila – they become true documents because you get to see what the world was like back then: the fashions, the cars, the homes.

CURRENT DOCUMENTARY
Images of historic events and the people involved that the average person doesn’t have access to.  This is what is going on in the xyz region today.  Very few people have been able to actually see this for themselves.  And photography still serves that purpose.

BEAUTY IN THE IMAGE (Is it a postcard image?  Is it simply beautiful?  Another sunset? )
With the right subject, lighting, and composition – photographs can be as beautiful and mysterious as any other great form of art.  It’s true that the 5000 cell phone pictures multiplied by 1 billion  people will produce beautiful evocative images; and there is a class of editor who’s job it now is to sift through all this junk looking for the few images that are sellable.  It’s somewhat equivalent to the million typing monkeys who will in some time period approaching the infinite produce Hamlet, or something worth reading.

There will be (and are) gatekeepers to separate the beautiful from the banal.  Someone has to do it or we’ll be overrun with sunsets and sunrises.

The art photographer may not do much better.  As Matt said, we are happy to get 10 really good images in a year, but our standards are not the same.

EROTIC PHOTOGRAPHY
Unfortunately, a large number of people are going to end up reading this dry category description because of a search engine.  Nevertheless, the erotic photograph has a history that begins with photography, and that goes back to cave paintings.  It may just be the most popular and most lucrative form of photography.  I’ll have to take the Supreme Courts famous declaration: I know it when I see it.  Of course, that is just dumb, since what is erotic to one person is a complete snooze to another.  Nevertheless, it should be listed as an important category.

COMMERCIAL PHOTOGRAPHY
This is one of the easiest categories to define.  The images are of products (human or non-human) with a purpose to promote the product and make the viewer want to buy the thing, or see the movie, or whatever.  They can also be artistic, but the primary purpose is to sell something other than the photograph.

I find myself moving in and out of all these categories.  I admit to being least comfortable in the pure commercial field, but this usually pays the best since if done well it can make money for the producer.

SCIENTIFIC PHOTOGRAPHY
Suggested by a reader, to include anything from geothermal mapping to photographs used to search for cracks or potential cracks in Hoover Dam.  Photography with a technical / scientific purpose.

Not included as categories: Found Art. You search through garbage or wherever and find photographs.  You then display them.  Or you make a collage with them.  Whatever.  It’s removed from the original category of the photograph by the artists’ intentions.

Frankly, all these categories (are there more?) have soft edges and run into each other.  You can clean them up if you want to make sub-categories.  But this is more useful for me.  Nature photography, for example, is a common category, but it can easily fall under BEAUTIFUL PHOTOGRAPHY or even SCIENTIFIC PHOTOGRAPHY, or PROOF PHOTOGRAPHY.  It depends on the skill and purpose of the photographer.  The truth is that no one can define art, though you and anyone else can take a crack at it.  It is elusive.  It goes in and out of favor.  But I am thinking that in the case of photography, it can be plugged into one of these categories.

But the main kick for me (other than some of the technical stuff I get into) is the feeling that I’ve caught something that is just hard to describe in words and that will probably never exist again.  One example of this sort of work is shown below.  It is the burnt out building in Brooklyn (Manhattan on the other side) where a mad artist lived for a while.  I was brought there by a painter friend and was glad to have my Mamiya 6 (medium format film) camera with me.

Of course it is completely unsellable.  Nevertheless, I post it now and then because it seems to demonstrate one aspect of the power of photography that means something to me.

MadArtist002002

Mar 302010
 

New York Times article about the shrinking paths open for the professional photographer.  In a nutshell, the story is that stock photography by amateur photographers is / has replaced what used to be the turf of the professional photographer.   Getty licenses images found on Flickr.  And the photographer who isn’t counting on the image to make a living can accept much smaller payments.

The other point, is that with digital photography, the threshold for taking a decent shot requires much less skill since you can take the shot – look at it – and make corrections.  All true.  However, digital photography has also opened avenues that weren’t available before, but these are techniques that do require post-processing skills.  In fact, it’s in the post-processing of images that the amateurs are separated (usually) from the professionals.

Anyway – worth a read:  NY Times Article on the Professional Photographer

From the comments:

“Just a reminder that for some of their professional careers, two of the greatest photographers, Edward Weston and W. Eugene Smith had to depend on the generosity of friends and family to feed and shelter them. And in fact one of the greatest documentary photographers of all time, Louis Hine, quite literally starved to death when he coudn’t get work. So it’s not just a problem of today’s economy.” Bill Mitchell
“Dave and I both believe that you are lucky to get maybe ten images in a whole year that are very good. An amateur might get lucky once or twice, but then if you take 50,000,000 amateurs and their output of say 50,000,000 images, which they’ll sell for next to nothing, it’s simple math and it’s pretty hopeless. You give up a regular job and its health care and IRA’s to shoot pictures, and they are now worth $9.99 if you get paid at all. To choose that path, if you’re not a trust fund baby, is fuc*ing insane…” – Matt Weber  {sorry to edit the curse word that I use lots of times every day}

f-the-artist

Mar 272010
 

night-runners-0867Every technique but the kitchen sink… the infrared flash… the DNG Profiler… and the Photomatix… and I have a shot of two sweaty bodies on the track.  I have some that are beautiful as well, and I have found a cache of infrared street shots that weren’t possible to process without the DNG profiler, but now I have a chance.  I imagine that shots like this are interesting if you start to wonder about how they were done, i.e. how the “look” was achieved, how they are frozen at night with tremendous detail.  But of course technique doesn’t mean anything other than a chance to get something that hasn’t been put on film (well of course it’s not film but you know what I mean) before.  That has always interested me.

I went out one day to try and photograph the wind.  Yes, I did.  I don’t mean the things that are being moved by the wind, but the wind itself.  The best I could come up with were shadows that were moving around, one step away from the wind…  Or maybe smoke swirling around… but of course you can’t photograph the wind unless it has picked up particles.  Or can you?

Mar 272010
 

bowling-green-Bowling Green.  Now I don’t think you are going to see many images processed this way.  It began as a digital infrared shot with the 450d.  Then it went into the Adobe DNG Profiler.  This allows you to pull the color temperature down to something reasonable so that the image is no longer pink.  And finally, it was hurtled into the Photomatix tonemapping with fairly standard settings.

You say – what is the Adobe DNG Profiler?  Well, it lets you make custom calibration profiles for your camera, and it very useful if you are shooting with color temperatures that are outside of what Lightroom or Photoshop can understand since they are below the normal wavelengths – i.e. they are infrared.  The program is free, and thankfully is available in both mac and pc versions and I just downloaded and installed the mac version.