Dec 312010
 
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I was on my way back from doing a video interview with dad and his sister, along with my cousin Bob who had brought a digital video recorder and a digital audio recorder.  It went on for about three hours.  Of course I screwed up the audio, but not flipping the audio switch on the camera to “on.”

But it will be okay since Bob’s audio recorder got everything and he has someone to sync things up which is going to be a big job since his video recorder was also not doing sound.  We shot enough for a short documentary.  Afterwards the family group, Bob, Danny, my sisters and husbands went to a restaurant but I just wanted to get home.  I’m at the end of the pulled muscle episode, but feeling unsocial lately.

Anyway, it was on the way back that I stopped at this puddle – Union Square – to shoot the HCB shot a few times.  As I look back on my photographs, I see that they were almost all taken on the way to or from someplace that had nothing to do with photography.  It does confirm the simple rule to always have your camera with you, no matter what mood you’re in.

I’m hoping to get down to Times Square tonight.  One foot in front of the other – though I hate crowds and I don’t want to get caught in the claustrophobic producing cattle pen.  It never was like that when I was younger.  I suppose that’s all post Nine Eleven.  We’ll see.  If nothing else – I’ll ride the trains for a while.  It’s the night when inhibitions are gone and no one cares if you photograph them since they’re high or drunk or just thrilled to be in the big apple on New Years Eve.

Dec 272010
 

Quite the storm.  Everywhere you looked there were cars spinning out of control.  Doesn’t anyone listen when they tell you not to take the car out?  Whatever.  We’re New Yorkers.  And so with my side aching (okay Bruce not that badly) I made it out for two separate trips into the blizzard.  It was great because all I wanted these last few months was a chance to do more HDR work.

And I had a great chance today since there were so many wide dynamic scenes.

Of course, I had to stop into Starbucks, and did this with camera on tripod (three shots).  People are the most difficult to shoot for HDR because whether they realize it or not – some part of them is always twitching.  If I decide that I like this picture enough to work on, I’ll have to do some cloning to get the hands right.  You don’t get a blur with HDR (at least I don’t) but sort of neon lines where the program isn’t exactly sure how to combine things.

I shot a lot, the second time out, and came back satisfied that I was feeling better.

The side streets haven’t all been plowed yet.

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And I admit that the original True Grit with John Wayne was one of my favorite older Wayne movies with the exception of the insane casting of Glen Campbell.  I was happy to hear that the Cohen bros. did it over with Jeff Bridges.  Looks like a lot of fun if you like westerns (which I do).  And no compromises.  Dialogue straight from the book (which is a great yarn for sure).  A classic along the lines of Shane (both told from the kid’s point of view).

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Dec 222010
 
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Dear Dave,
I just wanted to send a note to say thank you for getting the matted “21” print to us so quickly. It looked great in person and we were able to have it framed and shipped out prior to the Christmas holiday.
Warmest Wishes for a happy and healthy New Year.
Best,
M.

Dave,
That shot of the subway interior – the one you said you did with a view camera whatever that is – I don’t know but it is just fabulous, and as you said great at a big size. Thank you so much for getting it to me for Christmas. I’ve already got it framed and wrapped. My husband is going to love it. He’s a big fan.
J.

The truth is, that I was able to really do every print to my own liking. Even though I’ve done Interior Subway a few hundred times at various sizes, I rescanned it because I thought my neg. scanning technique was better, and I wanted to put it through the new workflow with NIK software. (At some point, I’m going to have to do a writeup about NIK. Yes, they are that good).

The shot above, you may remember in color. Yes – probably better in color, but I just can’t switch right now and have five or six good color shots. From a selling point of view it doesn’t make sense. Just kills the Beckerman look.

Dec 222010
 

For long time readers of this blog, you’re familiar with the wit and humor that Lester brings to this blog.  One of my own dreams for him was that he’d find a way to channel all that into some form that people could pick up and read or listen to.  Having known him since we were in our 20′s, and having worked with him on at least one doomed screenplay, I can tell you that this is a real talent, though I have to admit that I’m just about to order The 11th Man (a novel) which is the form his persona has taken.

Yes.  For the first time, he’s written a novel, called The 11th Man.  He tells me that it is partly based on my life, and that may be true since the main character is a photographer.

So without adieu, here’s the book, and you’ll be able to preview the first chapter as well.

Dec 212010
 

James Maher had dinner at the Palace Restaurant on 57th street, and took the time to grab a few shots of my prints on the walls.  Nice because I never did do a decent job of it. Although people always promise to take a shot of the prints after they’ve been framed and hung – it’s rare that they remember. It’s a two story restaurant, and I believe there are about 40 – 50 prints. This was done through an interior decorator, so it was pretty easy for me. They did the matting and framing, and all I had to do was the printing. And in general the interior decorators are thrilled with the high quality product they receive.

Here’s what he came up with.  It is hard to do since it’s a pretty busy restaurant.  This is the shot I like the best from what he sent me. Of course – it’s that outrageous nude.

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